His Warlock and Hanneman’s Soloist were both run through MXR distortion and Dunlop Cry Baby pedals, with effects, such as reverb, added by Rubin at the desk. That’s the riff that people get wrong, if they’re gonna get any of them wrong! Kerry King The former was playing a black Jackson Soloist with retrofitted EMG pickups, while King had recently begun an endorsement with BC Rich. The equipment the pair used was the classic 1980s metal arsenal, with both men turning to Marshall JCM800s for amplification. The music was a high-speed riff onslaught in which Hanneman and fellow guitarist Kerry King were locked in tight. The lyrics detailed the atrocities performed by Nazi war criminal Josef Mengele. And what Jeff Hanneman created in Angel Of Death was a song as brilliant as it was controversial. Widely recognized as one of the greatest metal albums of all time, Reign In Blood is also, for many, the definitive thrash-metal album. The darkness and brutality in Slayer’s music was most vividly illustrated in the band’s third album Reign In Blood, and in particular its opening track, Angel Of Death. This is the way I played it in my head: if it sounds like I’m standing over a body that’s just been stabbed to death, then it’s perfect.” I recognised that when I hit certain notes I’d get a certain feeling. All you do is go a step up or down till you get it right, and it sounds huge. “We were not schooled musicians,” said Slayer guitarist Jeff Hanneman.
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